Wednesday, October 28, 2015

Dead Shot

For your enjoyment (I hope), this short story was my first professional sale, debuting in the long defunct horror Web zine, MALEFICA.


Dead Shot
Copyright 2012


Like countless times before, I lay waiting for the target to enter my crosshairs.  I lowered my heart rate, controlled my breathing, and slipped my finger inside the trigger-guard of my weapon.  The cool groove of metal was a familiar friend, as was the sharp odor of well-maintained gunmetal.

But some weird shit had been going down lately.   I hadn’t mentioned any of this to my superiors at HQ; to do so would’ve surely meant the end of this hardcore operator.  Numerous ultra-risky but successful missions behind enemy lines in various global hotspots meant nothing in my line of work.

To go fucking crazy, lose your finely-honed edge, meant getting capped by one of your own.  Put out to pasture, adios amigos.

Sprawled under my protective camouflage-net canopy, clad in a Ghillie suit, I was virtually invisible in the early morning light.  I recalled the first time it happened, about a month ago, when I saw the dead man in my sights.  I’d been a heartbeat away from squeezing off a high-velocity 7.62mm round into the cranium of a hard-ass Colombian drug-lord when it happened.  One second it was just fucking Esteban in my sights, the next, Esteban and Mr. Partially Decapitated Skull.  I remembered him, of course, from a mission several months ago.  A hard-ass Taliban shooter named Ahmed something.  I’d fucking took him out with a clean and easy headshot.  My kill was now totally screwed because I’d lost my focus, my heart jackhammering I thought it would burst out of my chest like the thing in the first Alien movie.  But there he was, standing next to Esteban and grinning up at me—fucking up AT ME—with half a face, pulped sickly gray brain-matter and shattered skull glistening, torn crimson flaps of flesh dangling past its slack jaws.

I blinked my eyes, pulling my face away from the Unertl scope mounted atop my Mk12 sniper rifle.  I wiped hastily at sweat droplets beading my forehead.  Fuck.  Ahmed the Grinning, Half-Headed Idiot was still there.  He even had the balls to raise one sickly gray hand at me, but Esteban didn’t notice, just stood there smoking a thin black cigar.

Needless to say, mission aborted.

I lied to my superiors.  No big deal.

Until it happened again.  And again.

And again.

The last few times I had even more surprises, lucky me!  Instead of one appearing like magic, there were two from different missions.  Unrelated kills, but I guess I deserve it, right?  I’m not a saint but I’ve always been a good soldier.  Never heard of this happening to a hardcore operator like me before, and I’d even thought briefly of talking to a shrink, but knew that wouldn’t go over well sitting on the proverbial fucking couch spilling my guts.  I’ve killed so many I’ve lost count.  I see the faces sometimes, in nightmares.

Apparently, that’s all changed now.  If it were all the same, I’d rather have the goddamned nightmares, than this madness.

Was I going bananas?  Heading down the nuthouse trail?  I suppose so, but I didn’t feel on the edge of insanity.  I remembered reading somewhere that most crazy people never even realized they were cracking up.

Before this current mission, I’d decided if it continued I was out.  Go AWOL, to hell with the consequences.  I’d rather take my chances running from my former Black Ops employers than be locked up in Black Site cell waiting for my cup full of mind-numbing pills. The most likely scenario would be having me put down like a rabid dog.

With growing dread, I knew things might not be going to go that way.  Recent developments seemed to suggest that.  I soon discovered I was correct on that point, fuck it all.

My current target appeared right on schedule.  I sighted in the scope’s crosshairs solidly on the head, and my buddies came out of the supernatural woodwork.  They were so happy to see me.  It would’ve been a Hallmark moment, except for the gaping toothy grins, splattered brains, and dangling red flesh.

They brought friends.  Lots of friends, God bless ‘em!

I very nearly lost it, crazy guffaws of laughter spewing out of my mouth.  Then I regained control and thought: What the fuck!  I focused on my target, the reason for being here at this moment, and squeezed the trigger.  Not my best shot—okay, I was a little distracted—but it had the desired effect.  X out another bad guy.

Then I started firing rapidly at the corpses.  Not the smartest thing, I knew, as I fired off one round after another, watching the bullets puncture already dead flesh.  Bodies writhed and jerked, crumpling to the ground.  But damn it all if they didn’t brush themselves off and climb right back up again.

Headshots, you fucking idiot!  No body shots, just headshots!

I wasn’t concerned about the bullet-riddled comrades of Now Deceased Bad Guy spotting my position, yet.  The netting and camouflage blended me into my surroundings.  The Mk-12 barely made a sound, thanks to the Wonderful World of Sound Suppressor Technology.  The shots came off not much louder than a muffled belch or fart.

However, I was growing concerned at the increasing number of dead, those loyal fans, my ever-loving victims.

Dozens of those dead and decaying cocksuckers now stood below at the bottom of the shallow ravine.  I couldn’t view them all in the scope so I detached it from the rifle and dropped it on the ground.  My situation had quickly gone from Truly Fucked Up to Seriously Up Shits Creek.

I still had plenty of spare ammo, as well as my 9mm sidearm, but maybe not enough to kill them all…before they got to me.

I considered cutting loose, running like hell.  Keep running.  I got to my knees.

Fuck that shit.

It wouldn’t stop, ever.  I knew this like a dying man knows he’s sucking in that last and final breath.

Crouched under the netting in my niche, I set aside the still warm and smoking Mk-12.  I reached for the crumpled pack of Camels in my breast cargo pocket, and my battered Zippo.

Shuffling, rustling sounds suddenly came from the undergrowth a dozen yards behind me.  I could smell them, even as I fired up my last cigarette and took a long drag.  They reeked worse than days-old road-kill, rife with decay.

I pushed back the netting, and stood up.

They greeted me with open arms.


THE END


   

Tuesday, July 28, 2015

The Laymon Legacy

Recently, I read MIDNIGHT'S LAIR by Richard Laymon, which is one of those hard-to-find books in his vast backlist, published overseas originally and never reissued by Leisure Books. I acquired it from an online seller for a reasonable price, and besides, being a lifelong Laymon fan, I have to own everything he's written. I still hope to one day get my hands on a copy of IN LAYMON'S TERMS.


Why am I writing this on my blog? Certainly to many diehard horror readers and a good deal of horror writers, Richard Laymon is often cited as a huge influence, and rightly so. Myself included. I discovered Laymon in the late 80's after buying a copy of FUNLAND and was blown away. While I cut my teeth early on with Stephen King, Dean Koontz, Peter Straub, Robert McCammon, and Clive Barker, it was that first book by Laymon that I'd read that made me want to seek out whatever else he'd written. Over the years, I grabbed such classics like FLESH, TREAD SOFTLY, THE STAKE, and BITE to name a few. Later, when Leisure Books started to reissue his older titles, and new ones, I was ecstatic, like a kid in a...well, bookstore.



Then, sadly, he passed away in February 2001. While he left a wealth of work for readers to enjoy, fans like myself can only imagine what more he could've done had he lived longer. Not for the casual horror reader, Laymon's novels were well-known for his prodigious use of sex and violence, and his signature and distinctive style (diehard Laymon fans know about his use of the R word). 


I never had the privilege of meeting him, but through personal accounts, and stories shared online on such venues like Brian Keene's excellent podcast, THE HORROR SHOW, Richard Laymon was fan friendly, especially so to up-and-coming horror writers. If you listened to Brian's podcast on Laymon, or read the tribute book, IN LAYMON'S TERMS, this isn't news to you. But it makes me appreciate one of my literary idols even more.

Even though he left this world much too soon, the Laymon Legacy lives on, having inspired and influenced popular bestselling authors such as the aforementioned Brian Keene, Bryan Smith, to newer horror authors like Jonathan Janz, Kristopher Rufty and many more.


Thursday, May 21, 2015

Meeting Clive Barker!

Like most horror fiction fans back in the late 80's, who had devoured all the Stephen King, Peter Straub, Robert McCammon, James Herbert novels, when Clive Barker burst onto the scene with his seminal short story collection, THE BOOKS OF BLOOD, we were all blown away. King even declared that Barker was better than he was, and the "future of horror." Then the film HELLRAISER was made, based on his novella, THE HELLBOUND HEART, and Barker became the new King of Splatterpunk, the visceral and graphic offshoot of the genre. Whatever you want to dub his unique brand of disturbing readers the world over, we all loved his work. My personal favorite Barker novel is CABAL, which later became the film, NIGHTBREED.

Back in 1997, after publishing my first couple short stories in a few small-press horror magazines, I started taking part in local conventions that catered to the sci-fi, fantasy, and horror crowd. Being on panels was a way of getting my name and face out there, as friend  and Bram Stoker Award-winning author, Owl Goingback, advised me. Of course, this was long before social media. And at one of these local conventions, after a panel, that I met author John Urbancik. Needless to say, John and I became friends. While the type of stuff John wrote differed from my own, I immediately realized John was immensely talented. Given his publishing successes since we met, yeah, I was right.

John and I (along with my wife at the time) decided to travel together to Atlanta to attend DragonCon, which was the largest sci-fi/fantasy/horror convention of its kind back then. I was fortunate enough to be invited as a guest writer and John was largely going to meet with his agent, who was trying to get him into HarperCollins. And Clive Barker, who was with HarperCollins at that time, was a Guest of Honor.

 
Authors Clive Barker and Poppy Z. Brite on a DragonCon panel.

While there, John got an invite (from his agent) to attend a special private party for Clive at a club downtown called The Secret Room. The invite was for just one person, but because I begged him to get me in, and because John is just an all-around good guy, he got me in. The Secret Room was not just any club. It was a place for those who were into ritual body-piercing.

Performer at The Secret Room...just hanging out!

The place was dark and dingy, as it should be, and thronged with people, most of them there to see Clive, along with other notable guests like author Poppy Z. Brite. John and I eventually split up, and at some point we managed to find him. He'd been off to the side, surrounded by people, graciously spending time with each and every one. John got to chat with him, and when I saw a break, I shouldered my way over in his direction. His back was to me and, because the place was loud with voices and music, I tapped him on the shoulder. He turned around and I leaned in to introduce myself. Because I knew he was also a cigar aficionado (as I was), I had brought him a La Gloria Cubana. He took the gift, thanked me, and remarked how he looked forward to smoking this later. We chatted for a few minutes and he even allowed my picture to be taken with him. Sadly, and this was obviously years before smartphone cameras, the picture was lost.

Author John Urbancik...with a couple friends!

The rest of evening went by in a blur, as we stayed to watch the ritual body-piercing performers impale and hook themselves, blood pooling onto the tiled floor, to be mopped up later. I remembered seeing Barker watching this gruesome bit of performance art from the other side of the center stage (surrounded by a chain link fence type barrier on three sides) and thinking how ironic but cool it was that the creator of such notoriously gory and erotic works appeared just as disturbed and spellbound as everyone else. And the next morning, at a casual writer's workshop, hungover and sipping coffee like the rest of us, Clive admitted that very thing. 

With the release of THE SCARLET GOSPELS, his long-awaited novel, Clive Barker hasn't lost his gift for serving up delicious horrors. The book is phenomenal, and well worth the wait.



Big thanks to my good buddy, and kick-ass writer, John Urbancik, for getting me into that club all those years ago, to meet one of my literary idols.

Thursday, April 10, 2014

Interview with Author Jonathan Janz

Back in mid-January, I did my first-ever author interview, with Jonathan Janz...great guy and terrific author of horror and dark fiction.  Check it out here:

http://ravenousreads.blogspot.com/2014/01/interviewwith-author-jonathan-janz.html

Saturday, January 4, 2014

My Review of Sixty-Five Stirrup Iron Road at Ravenous Reads!

Check it out, my first review of this phenomenal collaborative meta-horror novel on Nikki Howard's blog site, Ravenous Reads!


Coming soon:  Interview with Author Jonathan Janz!

Saturday, July 20, 2013

Ahem, okay, this long overdue update shall be called...

...Chris's Writing Projects, Past, Present & Future!  Catchy, isn't it?  Are you thrumming with excitement?  Me, too!

Current Project:

(Updated 1/4/14)

Vines (novella length).  Suburban neighbors find themselves pitted against flesh-hungry plants, due to a nearby bio-medical research facility experimenting with creating a new bio-weapon.  Never a good thing!

The Magick Door (novella length, at least).  Started first chapter and story notes.

Past Projects in Various Stages:

Primal  (novella or novel-length, in need of serious revision).  Love this werewolf story, but because of an unfortunate mishap with a flash drive, I'd lost my entire Word file manuscript, except for my printed out first draft.  Wrote 100+ pages of a sequel called Primal Blood, but plot was too far-fetched, and will merge elements of it into Primal rewrite.

Moon Child  (mammoth 632 page erotic-horror novel, in need of serious revision, as well) will be reworked at some point, but all I have is partially revised printed manuscript copy.  My old Dell crapped out several years ago, leaving me without numerous short stories and longer works-in-progress...a very hard lesson to learn in Why You Should Back-Up Everything, Dumbass!

Shifter  (teen dark fantasy/paranormal novel-length story) is one that I'd written a Prologue and first chapter for, then kind of lost interest in.  I would love to revisit this and perhaps finish it, given how popular Teen fiction is.  What's it about?  Girl who can shape-shift into a cat...a really big cat...think were-cat, and you get the idea.  Oh yeah, these beings are also called Children of Bast, the Egyptian cat goddess.

In The Flesh  (novel-length, possible trilogy) is my erotic novel.  Not as explicitly extreme as your 50 Shades books or the like, but more like an adult fairy tale...set in our time and world...but very naughty. 

Future Projects:

Blood Island  (or Black Tide, novella or novel-length) is about a group of couples who spend a weekend on an island off the southwest coast of Florida, only to be attacked by a flesh-hungry organism from deep in the ocean. 

The Becoming (formerly House of Dark, novella or novel-length) deals with an ancient cult (think Mayan or Aztec) that survives today in the body of a teenage girl, adopted by Linus Bayne, a wealthy rancher and landowner in Florida.  Mayhem and murder ensues, and flash-forward to modern times, where a distant relative inherits the Bayne Estate.  The young couple begins to experience bizarre and horrifying things, realizing that their dream is about to become a true nightmare.

The Malagawn (novella or novel-length) is my Florida Bigfoot story.  Wrote the original story on a crappy Olivetti typewriter in my late teens and still have the revised manuscript.  But I love the basic story:  Man kills Sasquatch's mate, Sasquatch gets royally pissed off and goes on a human-killing spree.  Even thought about setting story in Pennsylvania, but may still keep the revised story in Florida.  Except my Native American-sounding name for the creature is Malagawn.  What's it mean?  Hell if I know...sounds sinister and cool!

Well, let's see...over a year should be time enough...

...for a damned update, don't you think? 

Coming Soon!